Whatever its genre, music greatly affects the environment and mood of the listener. Classical music has been used in soundtracks for effects, dramatic or frightening. Here is a suggested list of horrifying and thrillingly devilish classical music, from Bach’s Baroque era to Stravinsky’s modern times, which can be played to celebrate Halloween.

Bach, Johann Sebastian: Passacaglia and Thema Fugatum in C minor, BWV 582. Passacaglia is an Italian term for an instrumental piece, commonly written in triple time. It is originally a dance, in which a theme is continually repeated above a ground bass. It is similar to, and confused with chaconne. Bach’s organ passacaglia is often used as a model for this kind of music.

Full article link —> Halloween treat from classical music  

In the spirit of Halloween, I’m re-posting this classical music treat.

Music affects moods and environment. Classical music has been greatly used in movie soundtracks for dramatic effects.

Consider adding this list of thrillingly devilish classical music. Some of them may have been used in film scores.

  • Bach, Johann Sebastian: Toccata and Fugue in D minor, BWV 565.This is JS Bach’s most famous organ piece, considered to be the most scary organ music. Often associated with dramatic silent films, there are lots of unsettling tension in the music, from the opening motif through the pulsing rhythm of the entire piece.
  • Beethoven, Ludwig van: Ghost Piano Trio. A nickname of Beethoven’s Piano Trio in D Op.70 No.1, because of the slow movement’s ghostly atmosphere.

Classical Music Milestone, October 2

October 2, 1913.

The orchestral works of Frederick Delius were first performed in Leipzig:

  • Summer Night on the River
  • On Hearing the First Cuckoo in Spring

Classical Music Milestone, Sept 16

September 16, 1887

Nadia Boulanger was born in Paris. She was French composition teacher of many American and European composers. She was also a conductor and a composer, but gave up composing to support the career in composition of her sister, Lili Boulanger.

Some of her students include the following:

  • Astor Piazzolla
  • Gian Carlo Menotti
  • Elie Siegmeister
  • Roy Harris
  • Virgil Thomson
  • Walter Piston

Sept 13

Virtuoso Pianist and Composer Clara Wieck-Schumann, and wife of composer Robert Schumann

Clara Wieck-Schumann, from an 1835 Impression

Clara Wieck-Schumann, from an 1835 Impression


Clara Josephine Wieck was born on September 13, 1819 in Lepizig, Germany. She was a gifted and talented pianist, and wife of Robert Schumann. They were married a day before her birth day, Sept 12 (1840.)

Clara Wieck- Schumann was one of the leading pianists of the Romantic period. She was also a composer, although this side of her has never been explored by biographers.

From an early age, Clara Schumann was trained by her father, the well-known piano teacher Friedrich Wieck. She had a brilliant career as a pianist from the age of thirteen up to her marriage. Her marriage to Schumann was strongly opposed by her father, however, even after marriage, she continued to perform and compose. The couple had eight children.

In the various tours on which she accompanied her husband, she extended her own reputation farther than the outskirts of Germany. Thanks to her efforts, Robert Schumann’s compositions became generally known in Europe.

Johannes Brahms, at the age of twenty, met the couple in 1853 and their friendship lasted until Clara Schumann’s death.

Violinist Joseph Joachim, who she met later, became one of her frequent performance partners.

Aside from those of Robert Schumann and Brahms, Clara Schumann is credited with refining the tastes of audiences through her presentation of works by earlier composers including the compositions of Bach, Mozart, and Beethoven.

Clara Schumann took charge of the finances and general house keeping aside her musical endeavours due to Robert’s inclination to depression and instability. Part of her responsibility included making money, which she did by performing — often, Robert’s music. She continued to play the piano not only for the financial stability, but alongside because of her own virtuosity as a painist. She grew up performing and desired to continue performing.

Robert, while admiring her talent, wanted a traditional wife to bear children and make a happy home, which in his eyes and the eyes of society were in direct conflict. Furthermore, while she loved touring, Robert hated it and preferred to sit at his piano and compose.

After the death of her husband, Robert, she mainly devoted herself to the interpretation of his works. In 1878, she was appointed teacher of the piano at the Hoch Conservatorium at Frankfurt am Main, a post she held until 1892. Clara Schumann greatly contributed greatly to the improvement of modern piano playing technique.

As an artist she will be remembered, together with Joachim, as one of the first pianists who really played like composers. Besides being remembered for her eminence as a performer of nearly all kinds of pianoforte music, at a time when such technical ability was considerably rarer than in the present day, she was an impressive composer in her own right.

Clara Schumann was the authoritative editor of her husband’s works for the publishing firm of Breitkopf & Härtel. She died May 20, 1896, and was buried at Bonn at Alter Friedhof/old cemetery.

Photo credit: Julius Giere (1807-1880), wikimedia Commons

Note: Incidentally, Clara Schumann shares the same birthday as Arnold Schoenberg.

September 11

September 11 (1840), Robert Schumann presents to the virtuoso pianist and his fiancée, Clara Schumann, his Liederkreis song cycle as a gift on the eve of their wedding.

Alban  Berg Opera Lulu

Plot Synopsis and Character Description of a German Tragic Drama

Alban Berg (February 9, 1885 – December 24, 1935) composed Lulu, a three-act German tragedy, libretto adapted on the plays “Erdgeist” and “Die Büchse der Pandora” by Frank Wedekind. It was premiered at the Stadttheater, Zürich, June 2, 1937 with the first two acts as the third act was left unfinished. The setting: a German city, Paris, and London, about 1890.

Notable arias: “Pussi” (Lulu,) “Wach auf!” (Painter) and “Kuss! Einen Kuss!” (Alwa’s hymn.)

Read the full article — Alban Berg Opera Lulu

September 10, 2009
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Mozart Piano Concerto 23 in A-major k. 488 on period instruments (movement 1/3) Allegro

(Click on Mozart’s image to hear the concerto)

Wolfgang Amadeus Mozart

Wolfgang Amadeus Mozart

Link to Mozart’s Brief Biography

Video Courtesy:   YouTube

Kurt Weill The Three Penny Opera

Plot Synopsis and Character Description of Die Dreigroschenoper

Kurt Weill (March 2, 1900 – April 3, 1950) composed Die Dreigroschenoper (The Three Penny Opera), a German satire in three acts, libretto by Bertolt Brecht based on The Beggar’s Opera by John Gay. It was premiered at Berlin, Theater am Schiffbauerdamm, August 31, 1928. The setting is in London in 1837.

Notable aria: “Mac the Knife” (Macheath)

Die Dreigroschenoper (The Three Penny Opera) by Kurt Weill is a satirical opera, one of the most popular to hit the German stage.

Read the full article — Kurt Weill’s The Three Penny Opera

Benjamin Britten Opera Peter Grimes

Plot Synopsis and Character Description of an English Drama

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Benjamin Britten (November 22, 1913 – December 4, 1976) composed Peter Grimes in three acts and a prologue. Libretto was written by Montagu Slater after George Crabbe’s poem “The Borough.” It was premiered at Sadler’s Wells, London, on June 7, 1945. The setting is at The Borough, a fictional small fishing-town on the East Coast, towards 1830.

Notable arias: “Now the Great Bear” (Grimes) and “Embroidery” (Ellen)

Read full article — Benjamin Britten’s Opera Peter Grimes

August 25

Wolfgang Amadeus Mozart’s Mass in C was first performed in Salzburg, August 25, 1783.

August 23  Classical Music Milestone

August 23, 1784 – Giovanni Paisiello’s opera Il Re Teodoro in Venezia was first performed, In Vienna, Austria.

Classical Music Milestones,  August 22

  • Claude Debussy, French composer,  was born August 22, 1862.  He is regarded as the creator of musical “impressionism.”
  • Josef Strauss, Austrian waltz composer, brother of Johann Strauss, Jr. was born in Vienna, August 22, 1827.

Plot Synopsis and Description of a French Fairy Tale Operetta

Orphée aux Enfers (Orpheus in the Underworld) is a four-act opera-féerie composed by Jacques Offenbach (June 20, 1819 – October 5, 1880.) Libretto is written by H. Crémieus and L. Halévy. It was premiered at Les Bouffes Parisiens, Paris, October 21st, 1858. The setting is in Thebes, Mount Olympus, and the Underworld; time is antiquity.

The operetta Orphée aux Enfers is an early celebrated example of Offenbach’s formula of simultaneously satirizing Third Empire Society and debunking mythological personages. It contains some of his most witty numbers.


Read more — Offenbach Operetta Orphée aux Enfers 

Plot Synopsis and Description of a Fantastic French Opera

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The Tales of Hoffmann (Les Contes d’Hoffmann) is a fantastic three-act opera composed by Jacques Offenbach (June 20, 1819 – October 5, 1880.) Libretto is written by Jules Barbier and Michel Carré based on E.T.A. Hoffmann stories. It was premiered at the Opéra Comique, Paris, on February 10th, 1881. The setting is in Nuremberg, Paris, Munich and Venice in the early 19th century.

Notable Arias: “Scintille diamante” (Dappertutto), “Elle a fui” (Antonia,) “Jour et nuit” (Franz,) and “Il était une fois à la cour d’Eisenbach” (Hoffmann.)

Read more… Jacques Offenbach Opera The Tales of Hoffmann

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